Missing Link is Laika’s fifth animated feature, following Coraline (2009), ParaNorman (2012), The Boxtrolls (2014), and Kubo and the Two Strings (2016). #LAIKA MISSING LINK MOVIE#As soon as they hear that it’s actually a little nine-inch puppet that humans brought to life frame by frame, it’s this ‘Holy crap! Movie magic!’ moment.” Kids come out of a film still having no idea how we did it. “I think there’s something about stop-motion that’s so tactile. “As kids come out of the theater nowadays, I think a lot of time they’re just telling their parents, ‘Oh, that’s cool, but that was just done on the computer,’” says Brian McLean, Laika’s director of rapid prototyping. But the people at Laika, a stop-motion animation studio near Portland, Oregon, like it that way. The meticulous, labor-intensive process of stop-motion is something of an anomaly in these days of computer-generated animation. But there are actually 24 frames in each second of footage, and 60 seconds in each of the 94 minutes of Missing Link. Seen in rapid succession, the shots look like natural, fluid movement - like actual pants ripping at the back seam. for stop-motion animators, beholden to an intricate process that involves shooting each frame of action individually, making tiny physical adjustments to reflect the next hip bend or fabric tear, and then shooting again. “It’s a lot of work for not a lot of frames,” Jones says. Link’s posterior tufts of fur, will appear onscreen for just one or two seconds. The wildly intricate setup, so detailed that you can see the unique threads that snapped to bear Mr. Link is the film’s titular Bigfoot.) “He’s about to try and jump over a wall, so he bends over and his pants split open.” Link is kind of, like, doing calisthenics,” Jones continues. The “overscale” piece, almost unrecognizable as a rear end, is much larger than the average nine-inch-tall Bigfoot puppets scattered elsewhere in Jones’s rigging laboratory. “This,” Ollie Jones explains, “is our first and possibly our last ever 300 percent butt piece we’ve ever built.” The special-effects supervisor gestures toward a combination of metal rigging, fabricated fur, and stretched clothing, all of which was used for a single close-up in the stop-motion animated movie Missing Link. A “smattering of art-school rejects” in Oregon brought you Missing Link, Laika’s latest stop-motion animation film.
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